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20121201
20121231
Search Results 0 to 9 of about 10 (some duplicates have been removed)
, you know, feelings and experience we felt as the people went through. >> rose: les miserable, and the impossible when we continue. funding for carlie rose was provided by the following: captioning sponsored by rose communications from our studios in new york city, this is charlie rose. >> rose: les miserables is one of the best loved muse calls of all time, 60 million people have gone to see victor hugo 1862 novel of tragedy, romance and revolution sung into life it is now one of the year's most anticipated movies. here is the trailer for the film. ♪ i dreamed a dream in time gone by ♪ ♪ and hope was high, life worth living ♪ ♪ i dreamed that love would never die ♪ ♪ i dreamed that god would be forgiving ♪ ♪ but the tigers come at night ♪ ♪ thunder ♪ i had a dream my life would be ♪ ♪ no different from the tale i'm living ♪ ♪ no different now from what it seemed ♪ ♪ a life has killed a dream i dreamed ♪ ♪. >> rose: joining me now is the director tom hooper, his last movie the king's speech won an oscar for best picture. also with us ann
>> rose: welcome to the program. he tonight a conversation about the film les miserables. we'll speak with tom hooper, anne hathaway and hugh jackman. >> what i was trying to protect is what makes it emotional. and when you lip sync to playback even if you do it brilliantly there is a falsity that is not official y'allity, which the audience has to reforgive during a movie. even the great movie musicals you forge t in a ght comedic musical this is fine am but with something about such raw emotions i didn't want the audience forgiving the actors doing this. and secondly if we do it live, and we did it with a live piano accompaniment, you get the power back to the ackers. the actors can be completely in the moment. >> rose: we continue with a look at the new movie called the impossiblement we'll talk with naomi watt its, ewan mcgregor and the director, and maria belon. her life is the subject of the film. >> it's anncredible movie. i see it and i can realize, i mean people can feel what was the beginning of being there, just the line that begins, you know, all the horror and th
. this was 1999 and i was like, well most of my friends miserable at their desk jobs working in sweet or law and i'm going to pursue something that i at least enjoy doing, and that was cooking. >> rose: you liked it? >> i liked it. >> rose: what did you like about it? >> that you could work with something and get better at it and sort of just taste and -- you're creating something, using your hands. it's something that was just the direct polar opposite of what i was doing in college or what i was being groomed to do which i had no idea. cooking was something i felt i had had an honor in. it was like a real craft. if i had more dexterity i would have been like a -- i don't know, a cooper or something like that. >> rose: or a surgeon. >> yeah, a surgeon. >> rose: (laughs) >> so you're -- you went about cooking and you got a series of jobs, including japan. >> yes. >> rose: and how influential was that? >> it was life changing. life changing. >> rose: life changing. >> yeah. i had a small stint teaching english in japan and i promised myself i'd go back to japan to do it right and to absorb the food
Search Results 0 to 9 of about 10 (some duplicates have been removed)